news
Trans Writes workshops start Feb 27th, Manchester
I'm running a series of workshops for trans and non-binary writers of all experience levels, starting on Feb 27th and running each week for six weeks, in wheelchair accessible venues in central Manchester (LGBT Foundation and Commonword). We will be drawing inspiration from the 40 year old Commonword archive and using that to leap into new writing. In an environment where our community is so often written about and spoken over by those who do not cherish us, this will be a dedicated trans and enby space where we can create on our own terms. I AM EXCITED!! Contact emma.underwood@lgbt.foundation for more details on venue and to sign up. Dates are Thursdays 6.30-9.30pm from Feb 27th to April 2nd |
listenI spoke with Chris Neilan for the excellent Two Minute Stories podcast and it got quite unexpectedly close to... not the bone but the core, the gut, the gristle. The heart. We talk short fiction and time distortion, aid agencies and war and the ways in which work writes itself on our bodies, the way stories can reach the unspeakable.
Have a listen to some Seán Hewitt magic, and then work your way back through the season. |
about
I'm a British-Canadian writer and artist. I've performed at many festivals and live events across the UK and beyond, solo and in collaboration with other writers, musicians and visual/digital artists. I have most recently written for the Comma Press anthology Protest! Stories of Resistance, looking at working class suffragettes and forced feeding. My stories have featured on BBC Radio 4, in Short Fiction Journal, and on the literary mapping app LitNav, with poetry appearing in numerous anthologies. My ongoing work on disability aesthetics was featured at Mathrubhumi International Festival of Letters 2019. My short story collection, Jebel Marra (Comma Press, 2015), was nominated for a number of national and international awards, and I am now working on my second collection, an audio and digital short story map of Hayling Island. See below for more on that.
hayling island - stories at sea level
a digital audio map of short stories
I'm currently writing a new collection of short stories to be published as a digital audio map. Working in collaboration with composer and sound designer Caro C, digital artist (among many other things) Maya Chowdhry, and literary geographer Dr David Cooper, we are drawing on memory, experience, and geography to create a map of fictional stories set on Hayling, a small island off the south coast of England, in Hampshire. Exploring economic shift, climate change, and the ways we map our lives, the stories will focus largely on those who live at the water's edge: the skint, the canny, the ill, the queer - the people who face the wind and build lives on hope, grit and shingle. I was born on Hayling, and was two when my parents left, so part of this collection is informed by that experience of carrying borrowed memories, mapping stories of the arcades, bingos, cafes and clubs my family ran in the 70s, just as the arrival of package holidays was starting to take its toll.
This project is made possible by the generous support of Arts Council England and New Writing North, and we work in collaboration with Comma Press and their wonderful wordy jukebox, MacGuffin. Check out the press page if you want the whys and the whatnots.
I'm currently writing a new collection of short stories to be published as a digital audio map. Working in collaboration with composer and sound designer Caro C, digital artist (among many other things) Maya Chowdhry, and literary geographer Dr David Cooper, we are drawing on memory, experience, and geography to create a map of fictional stories set on Hayling, a small island off the south coast of England, in Hampshire. Exploring economic shift, climate change, and the ways we map our lives, the stories will focus largely on those who live at the water's edge: the skint, the canny, the ill, the queer - the people who face the wind and build lives on hope, grit and shingle. I was born on Hayling, and was two when my parents left, so part of this collection is informed by that experience of carrying borrowed memories, mapping stories of the arcades, bingos, cafes and clubs my family ran in the 70s, just as the arrival of package holidays was starting to take its toll.
This project is made possible by the generous support of Arts Council England and New Writing North, and we work in collaboration with Comma Press and their wonderful wordy jukebox, MacGuffin. Check out the press page if you want the whys and the whatnots.
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